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The Crow, by James O'Barr
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Murdered along with his fiancTe on Halloween eve by a vicious street gang, Eric Draven returns from the dead and led by a crow, seeks vengeance on the killers who wronged him, in a new edition of the classic graphic novel. Reprint.
- Sales Rank: #703093 in Books
- Published on: 2002-09-03
- Released on: 2002-09-03
- Original language: English
- Number of items: 1
- Dimensions: .47" h x 6.54" w x 10.18" l, 1.30 pounds
- Binding: Paperback
- 240 pages
Most helpful customer reviews
0 of 0 people found the following review helpful.
Bittersweet and Haunting
By RDD
In his introduction, John Bergin writes, “One day you are going to lose everything you have. Nothing will prepare you for that day. Not faith… not religion… nothing. When someone you love dies, you will know emptiness… You will know what it is to be completely and utterly alone. You will never forget and never forgive….So, if anything, at least take this lesson from The Crow: think about what you have to lose.” The narrative served as J. O’Barr’s way to deal with his grief following a loss and he fills his story with images and poetry of pain and grieving. The Crow not only wants revenge on those who caused him pain in life, but on a world that would allow such pain to exist. O’Barr’s use of high-contrast black and white creates a certain film noir feel, much like Raymond Chandler’s work (itself referenced in Robyn Hitchcock’s “Raymond Chandler Evening,” which O’Barr quotes), helps to portray this bleak world where life is disposable. O’Barr portrays the Crow and other characters with overly large eyes, the better to make them more expressive, and the Crow himself appears androgynous in many scenes, unlike other male superheroes, so that what matters most about him is his pain rather than his manliness. His violent response is not an extension of masculinity, but, to paraphrase Thomas Szasz’s quote about insanity, the only sane reaction to a violent world. Finally, like Eastman and Laird’s "Teenage Mutant Ninja Turtles", O’Barr’s The Crow depicts violence and bodies in motion in a manner that would later pervade the comics of the 1990s, but that features a certain amount of restraint in the 1980s. Later artists like Rob Liefeld would exaggerate this style to the point of absurdity, but these early independent artists exercised a comparative level of restraint, using the art to tell the story rather than writing the story to showcase the art.
0 of 0 people found the following review helpful.
I've always loved this story
By Michael
I've always loved this story. Bought as a replacement for mine that was stolen. It's not in Hess shadow, but still readable.
0 of 0 people found the following review helpful.
Love
By Misti F
I have been looking for this for a long time. Love it
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